Blurry was formed by brothers Tyler and Brett Sidney in 2014 while living in Woodstock, Georgia. Their music showcases that their roots derive from the classic sound of 70’s hard rock and heavy metal, 90’s grunge and modern alt rock, and embraces that loud energy with the rawness found in outlaw country. “We like pushing ourselves to write outside of the box, and create songs that span many different genres, but all still feel like one cohesive project.” said by frontman Tyler Sidney in an interview with New Noise Magazine on their 2023 single, “Over Easy.” After touring much of the US since then, the band has promised to continue to offer a breath of fresh air for anyone who lends an ear and wants to enjoy some southern fried grunge.

Boy Jr. is the songwriting/production project of Erica Allen-Lubman (they/them). Allen-Lubman has established a consistently viral internet presence through artist-crossover mashup covers, as well as original music that is both catchy and creative, while staying true and personal. While Boy Jr.’s charming, energetic indie pop-rock flourishes from Allen-Lubman’s academic music production background, the immense genre versatility is the backbone of the project. Through an entirely DIY ethos, Allen-Lubman’s career is just about to fully blossom. Through a combination of genuine musical talent, and high energy, oddball personality, Boy Jr. has attracted a variety of followers, from music lovers to critics to creators. As she continues to promote her recent 2nd full length DIY album, “Pay Attention To Meeee”, Allen-Lubman continues to use her platform to explore expression in artistry, gender, and micro-influencership.

In the heart of the Upstate New York rock underground, DramaScream emerges as a sonic force to be reckoned with, seamlessly blending the raw power of alternative metal, the intricate melodies of melodic metalcore, and the relentless energy of active rock. Since their formation in 2017, DramaScream has carved a distinctive niche in the music scene, captivating audiences with their electrifying performances and dynamic soundscapes.

Taking nods from indie rock, hardcore punk, and alternative beats, Fury in Few encompasses a sound that is unapologetically in-your-face, hard rock for Gen-Z. Originating in the Dirty South, Atlanta’s Fury in Few consists of Brayden Gomer (vocals, guitar) and Ryan Calatayud (drums). The duo continues to tour heavily across the U.S. in sweaty mosh-pit-infested basements and dive bars. With Fury in Few’s fierce live show, a growing movement of new rock fans are witnessing the band’s underground proclamation to ‘Rock or Die. Be Dangerous.

Jacksonville’s GLAZED is a gateway band that invites new listeners into the subculture, and that sort of self-reflection is admirable. Just about everything the act does on their recent album 1999 feels like it’s between two worlds. The meaty guitars crash down heavily before twisting back up into the stratosphere a la early ‘10s band Title Fight, while vocalist Justin Belichis’ temperament and sneering harkens back to an earlier era of pop-punk. The band itself has spanned two separate time periods, forming in 2013 and disappearing for several years after 2016’s You’ve Changed. Though they’re a bit of an anachronism, tracks like “Skakey Archery” and “Anthropology of an Apology” suggest that there’s a very good reason people keep reaching for those dusty CDs: the music’s just great. Since then, the band reemerged back into the underground post-pandemic and began touring throughout the US’ DIY scenes and supported Dikembe in 2023.

Never ones to take themselves too seriously, the Rochester-bred trio would tell you that their sound is like if Britney Spears and KoЯn f-cked, and they wouldn’t be entirely wrong. Anchored by Patricia Patrón’s sultry vocals, the band has a knack for pop sensibility that they immediately flip on its head, evoking a titillating mix of electro, pop and nu metal. With a flair for the dramatic, KOPPS visuals and stage performance dabble into a creepy, twisted and often bizarr-o glam vibe but always with a wry sense of humor.

Formed amidst the picturesque landscapes of the Finger Lakes region in New York, PRAUN is a four-piece metal band that wears its local roots proudly. Influenced by the unfiltered grunge of the late '90s and the raw energy of early 2000s metal, their music resonates with the authenticity of their surroundings while adding a modern twist that captures the essence of their journey. Beyond the stage, PRAUN is deeply committed to their community, actively raising awareness for human rights causes. With a humble dedication to their hometown, they've become more than just a band; they're advocates for change, using their platform to amplify voices and spark conversations that matter. Through their humble beginnings on local stages, PRAUN has forged a path of authenticity and creativity, leaving an indelible mark on their listeners and their surroundings. Their artwork, often inspired by the enigmatic allure of sea creatures, adds another layer to their artistic expression, inviting audiences to explore the depths of their sonic universe. With each performance, they unite their community, forging bonds that echo the power of solidarity and the strength of shared purpose.

Quantifier, the burgeoning post-progressive metal powerhouse from upstate New York, has been selling out numerous DIY shows and supporting giants like Whitechapel, The Callous Daoboys, and Unearth throughout much of 2023. The band has gained regional traction with recent releases including the single, 'Panacea,' which has been revealed as a poignant gem in the progressive metal realm, seamlessly fusing intricate musicianship with raw emotion. Quantifier showcases its technical prowess and resonates with the region's vibrant post, sludge, doom, and progressive metal scenes. Quantifier's live sound is an orchestra combining ethereal melodies and thunderous rhythms to create a captivating sonic landscape, underlining their commitment to connecting intimately with listeners. New single "Omen of Shade" isn't just a musical piece; but a building testament to the band’s storytelling artistry and deep-rooted connection to a multifaceted cathartic musical odyssey.

From the sunny shores of Buffalo, NY, The Burkharts make indie surf pop tunes that wallow in a 60s Californian dream. Trevor writes the songs, brother Gavon kicks the drum while Austin, Luke, and James play along to the beat. The band’s latest single - "Valley Girl" is available now!

Tier Blue is an alternative rock band formed in 2016 out of Macon Georgia. Initially formed as Hindsight in February 2016 by 4 high school friends, the band officially established as a five-piece in 2023 with the founding line-up of Caleb, Brent, Jake, Hunter, and Ethan. After a year of playing local shows around Georgia, he band released their debut album Out of Touch in 2017. The band has since released a variety of singles, and upon rebranding as Tier Blue, a second studio album Relearning Old Tricks in 2023. Tier Blue is Caleb Melvin (Vocals, Guitar), Jacob Viator (Guitar), Brent Mckinney (Bass), Hunter Pettis (Drums), and Ethan Hamlin (Keys, Vocals).

Trauma Cat are equal parts band and absurdist performance art troupe. Hailing from Syracuse, New York, they call themselves “America’s sorriest power trio” — at once a superlative and a self-own befitting of the strange, tongue-in-cheek musicians at the group’s core. Co-fronted by guitarist Ralph Kojig and bassist Roman Pando with drummer Rutger DiBoyere, Trauma Cat’s sound is the bastard child of Cake and Tool, or a modern American answer to XTC — a collage of art rock and progressive rock with shades of post-punk, shoegaze, and powerpop. Lyrically, Kojig’s and Pando’s songs often reflect on religion, death, and the internet. Trauma Cat self-released their debut album, Prepare to Apologize, in 2021. Co-produced by the band and the mysterious St. Julian P. Dingus, the record marked the arrival of the trio as an ambitious DIY act to watch. Indie critics cited the band’s sense of humor and technical skill, calling the album “an irreverent and eclectic gem” (NYSMusic) with “detailed lyricism and dynamic instrumental soundscapes” (BuzzMusic). The record, NYSMusic continues, introduced listeners to Trauma Cat’s “hilarious take on the music biz” with a persona evoking “a combination of punk pioneers Devo and Saturday morning cartoon favorites Josie and the Pussycats.” In late 2022, following the release of five new singles and a satirical online “dox-u-series” called The Truth About Trauma Cat, the band dropped their sophomore effort, The Truth Doesn’t Live Here. Once again marrying biting sarcasm with a potent sadness and classic prog chops, the 19-track epic is Trauma Cat doubling down on their genre-defying, “so-weird-it-works” brand of writing and production. Today, the band are quickly drawing the attention of music fans and promoters alike with their theatrical live performances that transcend typical rock show fare in favor of an unpredictable, irony-tinged multimedia experience.